Comics

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Книжка «Фантастичні звірі і де їх шукати» Джоан Ролінґ А-БА-БА-ГА-ЛА-МА-ГА (369940347)

Жодна чаклунська родина в країні не обходиться без примірника «Фантастичних звірів». Відтепер маґли теж матимуть нагоду дізнатися, де живе квінтолап, що їсть пухканець і чому не варто залишати молоко для кнарла. Кошти з продажу цієї книжки віддадуть у фонд «Comic Relief», а отже, всі ті гривні й ґалеони, які ви сплатите за неї, сотворять чари, потужніші за будь-яку чаклунську магію. Якщо ж і це не переконає вас розлучитися з грішми — що ж, тоді можу лише сподіватися, що принаймні якийсь перехожий чаклун, побачивши, як вас атакує мантикор, виявить більше чуйності. (Албус Дамблдор).Це нове видання найвідомішого підручника чарівного світу з оригінальним текстом Дж. К. Ролінґ, яскравим художнім оформленням обкладинки Джонні Даддла та ілюстраціями Томислава Томіча. Виручені від продажу кошти надходять до благодійного фонду Comic Relief.

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Fantastic Four Taschen (370051874)

Hoping to break out of a sales slump at Marvel in the early 1960s, veteran comic creators Stan Lee and Jack Kirby hit on the idea of doing a super team. Kirby, who thought superheroes were due for a revival after 15 years of being pushed aside by romance, horror, and war comics, saw it as smart business. Lee just once wanted to “do the type of story I myself would enjoy reading.” The Fantastic Four forever changed their careers, their lives, and the comic book industry. Some of the most iconic moments in Marvel history are here, starting with Reed Richards, his girlfriend Sue Storm, his best friend Ben Grimm, and her little brother Johnny Storm crash landing their rocket after it has been hit cosmic rays and discovering they have been transformed into Mr. Fantastic, the Invisible Girl, the Thing, and the Human Torch in issue No. 1. They were emotionally complex characters, who weren’t always sure whether their powers were a benefit or burden. Stories were set in New York City, not some fictional stand-in, and Marvel heroes regularly crossed over into each other’s books. The art was dynamic and the writing conversational and engaging. Lee and Kirby were like the Lennon and McCartney of comic books. Where the talents of one ended and the other began was not always clear, but together one plus one equaled three. Collected here in an XXL-size volume are the first 20 issues reproduced from the most pristine pedigreed original comics, which were cracked open and photographed in close collaboration with Marvel and the Certified Guaranty Company. Featured alongside the comics is an in-depth essay by acclaimed Marvel writer Mark Waid, a foreword by former NASA astronaut Mike Massimino, and original art, photographs, and other rarities. Welcome true believers to the Marvel Age of Comics.

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Harry Potter 5 Order of the Phoenix Illustrated Edition Bloomsbury (370051921)

J.K. Rowling is best known as the author of the seven Harry Potter books, which were published between 1997 and 2007. The enduringly popular adventures of Harry, Ron and Hermione have gone on to sell over 500 million copies, be translated into over 80 languages and made into eight blockbuster films. Alongside the Harry Potter series, she also wrote three short companion volumes for charity: Quidditch Through the Ages and Fantastic Beasts and Where to Find Them, in aid of Comic Relief and Lumos, and The Tales of Beedle the Bard, in aid of Lumos. J.K. Rowling collaborated with playwright Jack Thorne and director John Tiffany to continue Harry's story in a stage play, Harry Potter and the Cursed Child, which opened in London in 2016 and is now playing worldwide. In the same year, she made her debut as a screenwriter with the film Fantastic Beasts and Where to Find Them, the first in a series featuring Magizoologist Newt Scamander, which was inspired by the original companion volume. J.K. Rowling has also written a standalone novel, The Casual Vacancy, and is the author of the Strike crime series under the pseudonym Robert Galbraith. Both have been adapted for television. In 2020 J.K. Rowling returned to publishing for younger children with the fairy tale The Ickabog, the royalties from which she is donating to groups affected by the Covid-19 pandemic. Her latest children's novel The Christmas Pig, a standalone adventure story, was published in 2021. She has received many awards and honours, including an OBE and a Companion of Honour for services to literature and philanthropy. She lives in Scotland with her family. Jim Kay won the Kate Greenaway Medal in 2012 for his illustrations in A Monster Calls by Patrick Ness. He studied illustration at the University of Westminster, and worked in the Library & Archives of Tate Britain and then as an assistant curator of botanical illustrations at the Royal Botanic Gardens at Kew before returning to producing art full-time. After a one-man exhibition at Richmond Gallery he was approached by a publisher and his freelance career began. Alongside his illustration work, Jim has produced concept work for film and television, and contributed to the group exhibition Memory Palace at the V&A Museum in London. The Illustrated Edition of Harry Potter and the Philosopher's Stone was published to international acclaim. Bloomsbury has commissioned Jim to illustrate all seven books in J.K. Rowling's classic series. Jim lives and works in East Sussex with his wife. NEIL PACKER is an accomplished illustrator - his most recent project, One of a Kind, won the BolognaRagazzi Award for non-fiction in 2021. He lives in London with his son. As the Order of the Phoenix keeps watch over Harry Potter, troubled times have come to Hogwarts in a year filled with secrets, subterfuge and suspicion. The deliciously dark fifth instalment of Jim Kay's inspired reimagining of J.K. Rowling's classic series is an epic artistic achievement, featuring over 160 illustrations in an astonishing range of visual styles. Now an exciting new collaboration brings together two virtuoso artistic talents, as Kate Greenaway Medal winner Jim Kay is joined by acclaimed guest illustrator Neil Packer, winner of the 2021 BolognaRagazzi Award for non-fiction. Prepare to be enchanted once again as Jim Kay depicts J.K. Rowling's wizarding world with the dazzling artistic alchemy fans around the globe have come to know and love, perfectly complemented by Neil Packer's own unique and eclectic illustrations, skilfully woven into the heart of the story. This is a stunning visual feast of a book, filled with dark magical delights for both fans and new readers alike. Breathtaking scenes, iconic locations and unforgettable characters await inside - Luna Lovegood, Professor Umbridge, Grawp the giant, and many more - as Harry Potter and Dumbledore's Army prepare for the coming battle against Lord Voldemort. Perfect for Potterheads of all ages!

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Jamie Hewlett Taschen (370055345)

From the legendary Tank Girl to live-action animations with Gorillaz, a Chinese contemporary opera to an exhibition at the Saatchi Gallery, artist Jamie Hewlett is one of the most energetic figures of contemporary pop culture. With influences ranging from hip hop to zombie slasher movies, Hewlett emerged in the mid-1990s as co-creator of the zeitgeist-defining Tank Girl comic. With then-roommate Damon Albarn, he went on to create the groundbreaking cartoon band Gorillaz. The award-winning virtual pop group of animated characters is a truly global phenomenon. Gorillaz have topped charts around the world, toured the globe from San Diego to Syria, and picked up hundreds of millions of streams and record sales along the way. Since then, Hewlett has continued to collaborate with Albarn on projects including an elaborate staging of the Chinese novel Monkey: Journey to the West by Wu Cheng’en, complete with circus acrobats, Shaolin monks, and Chinese singers. In 2006, he was named Designer of the Year by the Design Museum in London, and in 2009, Hewlett and Albarn won a BAFTA for their animated Monkey sequence for the Beijing Olympic Games. In 2015 The Suggestionists, an exhibition of prints at the Saatchi Gallery in London, demonstrated an exciting new direction in Hewlett’s practice. This special edition celebrating TASCHEN’s 40th anniversary updates Hewlett’s first major monograph with around 30 brand new pieces. The book illustrates his thrilling creative journey with more than 400 artworks from the Tank Girl era through Gorillaz and up to the present day. Through stories, characters, strips, and sketches, we trace Hewlett’s exceptional capacity for invention and celebrate a polymath artist who refuses to rest on his laurels, or to be pigeonholed into a particular practice.

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Silver Surfer Taschen (370057759)

Introduced by Stan Lee and Jack Kirby in the fertile pages of The Fantastic Four, the Silver Surfer quickly established himself as one of Marvel’s most far-out characters. Enslaved by Galactus to prowl the cosmos for the demi-god’s next planet-sized meal, the Surfer was as tragic a figure as any in comics—and he looked impossibly cool at the same time! A smash hit with fans and a regular supporting character in Fantastic Four, the character struck a creative nerve with Lee, who couldn’t wait to begin to tell some Surfer solo stories, but the timing had to be right. In the spring of 1968, things came together for both writer and character, with Lee giving the Surfer Marvel’s very first ongoing double-sized book. Lee also recruited artist John Buscema, who had recently been lending his extraordinary pencils to The Avengers. Together, they spun off a run of legendary tales that helped define the character forevermore. The feature stories from the entire 18-issue run of the 1968 Silver Surfer series are collected in this cosmic-sized XXL tome from the Eisner Award-winning Marvel Comics Library series. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has been photographed as printed more than half a century ago, then digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing—as if hot off a world-class 1960s printing press. A custom paper stock was exclusively developed for this series to simulate the feel of the original comics. Texts by author and critic Douglas Wolk and Marvel artist and brother of John Buscema, Sal Buscema, accompany original artwork, photographs, and rare memorabilia.

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The Marvel Age of Comics 1961–1978 Taschen (370058463)

It was an age of mighty heroes, misunderstood monsters, and complex villains. With the publication of Fantastic Four No. 1 in November 1961, comics giant Marvel inaugurated a transformative era in pop culture. Through the next two decades, the iconic Hulk, Spider-Man, Iron Man, and the X-Men leapt, darted, and towered through its pages. Captain America was resurrected from his 1940s deep-freeze and the Avengers became the World's Greatest Super Heroes. Daredevil, Doctor Strange, and dozens more were added to the pantheon, each with their own rogues' gallery of malevolent counterparts. Nearly 60 years later, these thrilling characters from the 1960s and '70s are more popular than ever, fighting the good fight in comics, toy aisles, and blockbuster movies around the world. In The Marvel Age of Comics 1961-1978, legendary writer and editor Roy Thomas takes you to the heart of this seminal segment in comic history-an age of triumphant character and narrative innovation that reinvented the super hero genre. With more than 500 images and insider insights, the book traces the birth of champions who were both epic in their powers and grounded in a world that readers recognized as close to their own; relatable heroes with the same problems, struggles, and shortcomings as everyone else. By the '70s, we see how the House of Ideas also elevated horror, sword and sorcery, and martial arts in its stable of titanic demigods, introducing iconic characters like Man-Thing, Conan, and Shang-Chi and proving that their brand of storytelling could succeed and flourish outside of the capes and tights. Behind it all, we get to know the extraordinary Marvel architects whose names are almost as familiar as the mortals (and immortals!) they brought to life-Stan "The Man" Lee, Jack "King" Kirby, and Steve Ditko, along with a roster of greats like John Romita, John Buscema, Marie Severin, Jim Steranko, and countless others. The result is a behind-the-scenes treasure trove and a jewel for any comic fan's library, brimming with the innovation and energy of an invincible era for Marvel and its heroes alike.

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Masterpieces of Fantasy Art. 40th Edition Taschen (370059590)

Fantasy art, that colorful blend of myth, muscle and sexy maidens, took off in 1923 with the launch of Weird Tales magazine, was reinvigorated in the 1960s with The Lord of the Rings, Conan the Barbarian paperbacks with Frank Frazetta covers, and the late ’60s emergence of fantasy psychedelia. It went big in the ’70s with the role-playing game Dungeons & Dragons, the brilliant French magazine Métal Hurlant, and the first Star Wars film. The number of active artists peaked in that decade, but a new generation of fans discovered the genre through fantasy trading card games in the ’90s, leading to a massive interest in the art form today. Frank Frazetta’s oil paintings—when they infrequently come to market—have sold for more than $ 5 million in recent years. Fans line up at Comic-Cons to meet Boris Vallejo, Rodney Matthews, Greg Hildebrandt, Michael Whelan, and Philippe Druillet, and memorialize dead icons HR Giger, Jeffrey Catherine Jones, and Frazetta. This book features original paintings, contextualized by preparatory sketches, sculptures, calendars, magazines, and paperback books, for an immersive dive into this dynamic, fanciful genre. Insightful bios go beyond Wikipedia to give a more accurate and eye-opening look into the life of each artist. This collection will reign as the most exquisite and informative guide to this popular subject for years to come.

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Легенда про Корру. Руїни імперії Lantsuta (370060566)

Офіційне українське видання у форматі Omnibus, включає частини 1–3 The Legend of Korra: Ruins of the Empire. Щоб забезпечити міцний мир у Королівстві Землі, Корра має довіритися сумнівному союзнику. Напередодні перших виборів, через минулі події, майбутнє Королівства Землі опиняється під загрозою. В той час, коли Кувіра намагається захистити свою честь, підступний командир Гуан, аби захопити владу, підриває мир, який встановила Аватар Корра. На Вас чекає новий графічний роман, намальований у стилі анімаційного серіалу, за ліцензією Niсkelodeon та Dark Horse Comics. Насолоджуйтеся продовженням пригод із всесвіту Аватара в новому Омнібусі з оновленою обкладинкою від художниці Мішель Вонг! Написаний співавтором серіалу - Майклом Данте ДіМартіно за консультаціями Браяна Коніецко, цей комікс є офіційним продовженням улюбленого телесеріалу!

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Dian Hanson's: The History of Men’s Magazines. Vol. 1: From 1900 to Post-WWII Taschen (370061442)

The first commercial camera was introduced in 1839. By 1865 technology enabled ordinary men to create photographic negatives, and they immediately began taking and distributing photos of naked women. The French led the way, and it was the French who produced the first nude magazines in 1880, as souvenirs for patrons of Parisian music halls. Newsstand magazines followed, and the elegant La Vie Parisienne (Paris Life), full of sexy fiction and illustrations, debuted in 1914. It might all have stayed in Paris if not for WWI, when German and American troops carried the magazines home. American Wilford Fawcett launched Capt. Billy’s Whiz Bang (named after a WWI bomb) in 1919, helping launch the first sexual revolution of the 1920s, leading to SEX magazine from birth control pioneer Margaret Sanger. Decadent Weimar Berlin produced cabaret, fetish and free love magazines, countered by nudist titles pushing fascist politics, culminating in the 1933 Berlin book burning. The 1930s economic depression boosted demand for cheap escape, and men’s magazines delivered. There were film magazines of sexy starlets; “model study” art magazines; hardcore comics called Tijuana Bibles; “spicy” fiction digests with sexy painted covers; and detective titles of bad dames. When another world war erupted it required pinup magazines for fighting men, and after the war new men’s magazines rose from the ashes. Volume 1 of this series features over 700 covers and photos from France, Germany, the U.S., England, Turkey, Austria, Spain, Argentina and more, plus informative text.

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BIG. Yes Is More Taschen (370061465)

Yes is Moreis the easily accessible but unremittingly radical manifesto of Copenhagen-based architectural practice Bjarke Ingels Group, or a typical architectural monograph, this book uses the comic book format to express its groundbreaking agenda for contemporary architecture. It is also the first comprehensive documentation of BIG’s trailblazing practice—where method, process, instruments, and concepts are constantly questioned and redefined. Or, as the group itself says: “Historically, architecture has been dominated by two opposing extremes: an avant-garde full of crazy ideas, originating from philosophy or mysticism; and the well organized corporate consultants that build predictable and boring boxes of high standard. Architecture seems entrenched: naively utopian or petrifyingly pragmatic. We believe there is a third way between these diametric opposites: a pragmatic utopian architecture that creates socially, economically, and environmentally perfect places as a practical objective. At BIG we are devoted to investing in the overlap between radical and reality. In all our actions we try to move the focus from the little details to the BIG picture.” Bjarke Ingels attracts highly talented coworkers, but also gifted and ambitious clients from all over the world. He then creates intelligent synergies from wild energies and unforeseen dynamics, and transforms them into surprising, functional, valuable, and beautiful solutions to the specific and complex challenges in each task. BIG projects have won awards from the Royal Academy of Fine Arts, and the Special Jury Prize at the Venice Architecture Biennale, as well as many other international prizes. Yes is More is a play on words that represents the company’s ethos and sums up its irreverent attitude towards excessive formalism, and its determination to involve the population at large in its creations. As an extension of its methods and results, its debut monograph uses the most approachable and populist means of communication available—the comic.

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Spider-Man Taschen (370062101)

Their collaboration on Spider-Man couldn’t last forever—but the five-years of Stan Lee and Steve Ditko’s remarkable partnership lasted long enough for their character to evolve into a timeless icon and create a fandom that would last generations. TASCHEN’s second volume of Amazing Spider-Man stories collects the latter half of the duo’s magnum opus, featuring brand new arch-villains the Scorpion, Molten Man, and the Crime-Master, return engagements with Kraven the Hunter and the Green Goblin—and the three-part “Master Planner Saga” that reignited a feud with an iconic mystery villain, and left behind what many comics critics declare to be the greatest super hero story of all time. Collected in an XXL-size volume that closely simulates the size and proportions of the original comic artboards, all individual issues have been sourced from the collection of Bob Bretall, holder of the Guinness World Record for largest comics collection. Bretall’s pedigreed collection has been photographed using TASCHEN’s sterling reproduction methods, resembling the way these comics first looked when initially published in 1965 and 1966, while also being digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing. A custom paper stock was exclusively developed for this series to simulate the newsprint feel and color holding of the original comics. The Marvel Comics Library has earned well-deserved raves from comic collecting diehards for combining an old school comic book reading experience with a luxurious oversized book format, winning the industry’s coveted Eisner Award for Best Publication Design. Complementing the comics is an incisive and often side-splitting essay by British TV and radio host Jonathan Ross. Accompanying his essay is a gallery of original art, photographs, rarities, and other ephemera of the era.

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Harry Potter 2 Chamber of Secrets Illustrated Edition Bloomsbury (370064657)

J.K. Rowling is the author of the record-breaking, multi-award-winning Harry Potter novels. Loved by fans around the world, the series has sold over 500 million copies, been translated into over 80 languages, and made into eight blockbuster films. She has written three companion volumes in aid of charity: Quidditch Through the Ages and Fantastic Beasts and Where to Find Them (in aid of Comic Relief and Lumos), and The Tales of Beedle the Bard (in aid of Lumos), as well as a screenplay inspired by Fantastic Beasts and Where to Find Them, which marked the start of a five-film series to be written by the author. She has also collaborated on a stage play, Harry Potter and the Cursed Child Parts One and Two, which opened in London's West End in the summer of 2016 and on Broadway in early 2018. In 2012, J.K. Rowling's digital company Pottermore was launched, where fans can enjoy news, features and articles, as well as original content from J.K. Rowling. She is also the author of The Casual Vacancy, a novel for adult readers, and the Strike crime series, written under the pseudonym Robert Galbraith. She has received many awards and honours, including an OBE and Companion of Honour, France's Légion d'honneur, and the Hans Christian Andersen Award. Jim Kay won the Kate Greenaway Medal in 2012 for his illustrations in A Monster Calls by Patrick Ness. He studied illustration at the University of Westminster, and worked in the Library & Archives of Tate Britain and then as an assistant curator of botanical illustrations at the Royal Botanic Gardens at Kew before returning to producing art full-time. After a one-man exhibition at Richmond Gallery he was approached by a publisher and his freelance career began. Alongside his illustration work, Jim has produced concept work for film and television, and contributed to the group exhibition Memory Palace at the V&A Museum in London. The Illustrated Edition of Harry Potter and the Philosopher's Stone was published to international acclaim. Bloomsbury has commissioned Jim to illustrate all seven books in J.K. Rowling's classic series. Jim lives and works in Northamptonshire with his wife. Jim Kay's dazzling depiction of J.K. Rowling's wizarding world has won legions of fans since the first Illustrated Edition of the Harry Potter novels was published in hardback in 2015, becoming a bestseller around the world. This irresistible smaller-format paperback edition of Harry Potter and the Chamber of Secrets perfectly pairs J.K. Rowling's storytelling genius with the enchantment of Jim Kay's illustrations, bringing the magic of Harry Potter to new readers with full-colour pictures and a handsome poster pull-out at the back of the book. This edition has been beautifully redesigned with selected illustration highlights - the fully illustrated edition is still available in hardback. Fizzing with magic and brimming with humour, this inspired reimagining will captivate wizards and Muggles alike, as Harry and his friends, now in their second year at Hogwarts School of Witchcraft and Wizardry, seek out a legendary chamber and the deadly secret that lies at its heart. Seeing Jim Kay's illustrations moved me profoundly. I love his interpretation of Harry Potter's world, and I feel honoured and grateful that he has lent his talent to it. One of the greatest literary adventures of modern times The Harry Potter stories will join that small group of children's books which are read and reread into adulthood Kay's illustrated edition of Harry Potter and the Philosopher's Stone is a triumph - a book so alive it seems to jump, explode and slither out of your hands as you read

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The Fantastic Worlds of Frank Frazetta. 40th Edition Taschen (370066097)

Frank Frazetta has reigned as the undisputed king of fantasy art for 50 years, his fame only growing in the years since his death. With his paintings now breaking auction records (Egyptian Queen sold for $ 5.4 million in 2019) he’s long overdue for this ultimate to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. He claimed to only make art when there was nothing better to do – he preferred playing baseball - yet began his professional career in comics at age 16. Strip work led him to the infamous EC Comics, then to oils for Tarzan and Conan pulp covers. Both characters were interpreted by many before him, but as he explained in the 1970s, “I’m very physical minded. In Brooklyn, I knew Conan, I knew guys just like him,” and he used this first-hand knowledge of muscle and macho to redefine fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before. As counterbalance he created a new breed of women, nude as censorship allowed, with pixie faces and multiparous bodies: thick thighed, heavy buttocked, breasts cantilevered out to there, yet still, with their soft bellies and hints of cellulite, believably real. Add in the action, the creatures, the twilit worlds of haunting shadow and Frazetta’s art is addictive as potato chips.

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Dian Hanson’s: The History of Men’s Magazines. Vol. 3: 1960s At the Newsstand Taschen (370066406)

Sexual revolution, civil rights, Flower Power, miniskirt, women’s liberation, The Pill, Black Panthers, hippies; all these words and phrases entered our language in the turbulent 1960s. The decade started as an extension of the domestic ’50s and ended with worldwide chaos as baby boomers reached sexual maturity. What a fun decade for men’s magazines. While Playboy’s world dominance grew, with France, Germany, England, and Italy producing “men’s lifestyle” titles, diversification spread in the U.S. The first big breast magazines debuted, with Fling, Gem and The Swinger; men’s adventure titles – with nudes – provided nostalgia for mid-life veterans; humor magazines hung on – barely – while hippie nudist titles exploited a legal loophole allowing them to show pubic hair. Italy finally joined the party with sexy fumetto photo comics and a hero named Supersex. Latin America clung to the old burlesque format, mired in religious restriction and political unrest. France retained post-war favorite Foliesde Paris et de Hollywood for an older audience and launched elegant Playboy clone LUI for its sons. While the world donned miniskirts England did England, reveling in bloomer and petticoat fetishism with Spick and Span digests. But no one topped Germany, where Ulrike Meinhof edited Konkret in 1969, a magazine of sexual and political revolution, before forming Red Army Fraction with Andreas Baader to bomb, kidnap, and assassinate her way into domestic terror history. Volume 3 contains over 650 groovy covers and photos from Argentina, England, France, Germany, Italy, and The U.S., plus text.

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Marvel Comics Library. Spider-Man Vol. 2. 1965-1966 Taschen (370067609)

Their collaboration on Spider-Man couldn’t last forever―but the five-years of Stan Lee and Steve Ditko’s remarkable partnership lasted long enough for their character to evolve into a timeless icon and create a fandom that would last generations. TASCHEN’s second volume of Amazing Spider-Man stories collects the latter half of the duo’s magnum opus, featuring brand new arch-villains the Scorpion, Molten Man, and the Crime-Master, return engagements with Kraven the Hunter and the Green Goblin―and the three-part “Master Planner Saga” that reignited a feud with an iconic mystery villain, and left behind what many comics critics declare to be the greatest super hero story of all time. Beyond the action that faced Spider-Man―all choreographed with aplomb by the master stylist Ditko―there was also the matter of Peter Parker’s maturation during a decade of social upheaval and change. With Stan Lee’s blend of soap opera melodramatics and finger-on-the-pulse social sensitivities, Peter graduated from high school to college and started to deal with a myriad of adult struggles, mirroring the life experiences of the book’s readership. A scrawny teenager no more, Lee and Ditko would widen his network of friends and frenemies, debuting Gwen Stacy, Harry Osborn, and, in a series of hilarious cameos, Mary Jane Watson―all characters that would develop into one of the deepest and most substantive supporting casts in all of comics. Also introduced is Harry’s father, Norman Osborn, the short-tempered industrialist who would later be revealed as Spider-Man’s most dreaded foe. Meanwhile, Peter’s up-and-down romance with Betty Brant would reach its culmination with both changed forever. Collected in an XXL-size volume that closely simulates the size and proportions of the original comic artboards, all individual issues have been sourced from the collection of Bob Bretall, holder of the Guinness World Record for largest comics collection. Bretall’s pedigreed collection has been photographed using TASCHEN’s sterling reproduction methods, resembling the way these comics first looked when initially published in 1965 and 1966, while also being digitally remastered using modern retouching techniques to correct problems with the era’s inexpensive, imperfect printing. A custom paper stock was exclusively developed for this series to simulate the newsprint feel and color holding of the original comics. The Marvel Comics Library has earned well-deserved raves from comic collecting diehards for combining an old school comic book reading experience with a luxurious oversized book format, winning the industry’s coveted Eisner Award for Best Publication Design.

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Lichtenstein Taschen (370067627)

American painter Roy Lichtenstein (1923–1997) pioneered a new epoch in American art, bursting onto a scene dominated by Abstract Expressionism in late 1950s New York and defining a new art vocabulary for a new era. With his groundbreaking use of industrial production techniques and trivial, quotidian imagery such as cartoons, comic strips, and advertising, Lichtenstein joined contemporaries such as Andy Warhol and James Rosenquist to reflect and satirize American mass media and consumer culture. Works such as Look, Mickey! (1961), Drowning Girl (1963), and Whaam! (1963) deployed mass production techniques, particularly Ben-Day dots printing, to create a blow-up effect and pixelated “dot” style, with which Lichtenstein has become synonymous. This book provides an essential overview of Lichtenstein’s career, tracing his earliest Pop statements through to later “brushstroke” retorts to Abstract Expressionism and reinterpretations of modern masterpieces. We look at his leading position in midcentury modernism, and the ways in which his works both critique and chronicle 20th-century America.

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Tiki Pop Taschen (370074447)

Urban islands and bamboo hideaways set the stage for a pop culture phenomenon like no other. In mid-century America, the imaginative appeal of Tiki penetrated fashion, music, eating, drinking, and architecture. In handy Bibliotheca Universalis format, Tiki Pop traces the development of Tiki as romantic vision and cultural appropriation. Follow Tiki from James Cook's first Pacific Island expeditions, through Gauguin's exotic paintings, Hollywood jungle fantasies, and elaborate temples erected to celebrate Tiki as the god of recreation. With hundreds of images, Tiki the pop icon unfolds from its earliest, enthusiastic beginnings to its spectacular downfall in the dawning awareness of the Western world’s colonial misdeeds. This book is the culmination of the extensive research of Sven Kirsten, urban archaeologist, Tiki sage, and author of earlier TASCHEN investigations, The Book of Tiki and Tiki Modern, which first recovered the figure of Tiki from obscurity. In his widely lauded graphic style, Kirsten places venerable ancient godheads next to their Polynesian pop counterparts, movie posters next to matchboxes, comic strips next to Robinson Crusoe illustrations. The result is at once a visual feast, a piece of cultural history, and a tribute to a very particular vision of paradise.

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The Fantastic Worlds of Frank Frazetta Taschen (370076263)

Frank Frazetta has reigned as the undisputed king of fantasy art for 50 years, his fame only growing in the 12 years since his death. With his paintings now breaking auction records (Egyptian Queen sold for $ 5.4 million in 2019) he’s long overdue for this ultimate monograph. Born to a Sicilian immigrant family in Brooklyn, 1928, Frazetta was a minor league athlete, petty criminal and serial seducer with movie star looks and phenomenal talent. He claimed to only make art when there was nothing better to do – he preferred playing baseball - yet began his professional career in comics at age 16. Strip work led him to the infamous EC Comics, then to oils for Tarzan and Conan pulp covers. Both characters were interpreted by many before him, but as he explained in the 1970s, “I’m very physical minded. In Brooklyn, I knew Conan, I knew guys just like him,” and he used this first-hand knowledge of muscle and macho to redefine fantasy heroes as more massive, more menacing, more testosterone-fueled than anything seen before. As counterbalance he created a new breed of women, nude as censorship allowed, with pixie faces and multiparous bodies: thick thighed, heavy buttocked, breasts cantilevered out to there, yet still, with their soft bellies and hints of cellulite, believably real. Add in the action, the creatures, the twilit worlds of haunting shadow and Frazetta’s art is addictive as potato chips. This monograph is the most complete ever produced on the artist, done in collaboration with the Frazetta family. It won the 2023 Eisner Award for Best Archival Collection.

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Funk & Soul Covers. 40th Edition Taschen (370076275)

The golden age of Black music Following the success of Jazz Covers, this epic volume of groove assembles over 500 legendary covers from a golden era in Black music. Psychedelia meets Black Power, sexual liberation meets social conscience, and street portraiture meets fantastical comic art in this dazzling anthology of visualized funk and soul. Gathering both classic and rare covers, the collection celebrates each artwork’s ability to capture not only a buyer’s interest, but an entire musical mood. Browse through and discover the brilliant, the bold, the outlandish and the incredibly beautiful designs that fans rushed to get their hands on as the likes of Marvin Gaye, James Brown, Curtis Mayfield, Michael Jackson, and Prince changed the world with their unique and unforgettable sounds. Featuring interviews with key industry figures, Funk & Soul Covers also provides cultural context and design analysis for many of the chosen record covers.

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Marvel Comics Library. Fantastic Four. Vol. 1. 1961-1963 Taschen (370078108)

Hoping to break out of a sales slump at Marvel in the early 1960s, veteran comic creators Stan Lee and Jack Kirby hit on the idea of doing a super team. Kirby, who thought superheroes were due for a revival after 15 years of being pushed aside by romance, horror, and war comics, saw it as smart business. Lee just once wanted to “do the type of story I myself would enjoy reading.” The Fantastic Four forever changed their careers, their lives, and the comic book industry. Some of the most iconic moments in Marvel history are here, starting with Reed Richards, his girlfriend Sue Storm, his best friend Ben Grimm, and her little brother Johnny Storm crash landing their rocket after it has been hit cosmic rays and discovering they have been transformed into Mr. Fantastic, the Invisible Girl, the Thing, and the Human Torch in issue No. 1. They were emotionally complex characters, who weren’t always sure whether their powers were a benefit or burden. Stories were set in New York City, not some fictional stand-in, and Marvel heroes regularly crossed over into each other’s books. The art was dynamic and the writing conversational and engaging. Lee and Kirby were like the Lennon and McCartney of comic books. Where the talents of one ended and the other began was not always clear, but together one plus one equaled three. Collected here in an XXL-size volume are the first 20 issues reproduced from the most pristine pedigreed original comics, which were cracked open and photographed in close collaboration with Marvel and the Certified Guaranty Company. Featured alongside the comics is an in-depth essay by acclaimed Marvel writer Mark Waid, a foreword by former NASA astronaut Mike Massimino, and original art, photographs, and other rarities. Welcome true believers to the Marvel Age of Comics.

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