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    Robin Hood is the best-loved outlaw of all time. In this edition, Henry Gilbert tells of the adventures of the Merry Men of Sherwood Forest – Robin himself, Little John, Friar Tuck, Will Scarlet, and Alan-a-Dale, as well as Maid Marian, good King Richard, and Robin’s deadly enemies Guy of Gisborne and the evil Sheriff of Nottingham.
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    Tales from Shakespeare by Charles and Mary Lamb was written to be an ‘introduction to the study of Shakespeare’, but are much more entertaining than that. All of Shakespeare’s best-loved plays, comic and tragic, are retold in a clear and robust style, and their literary quality has made them popular and sought-after ever since their first publication in 1807. This edition contains the delightful pen-and-ink drawings of Arthur Rackham.
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    WITH AN INTRODUCTION AND NOTES BY DOREEN ROBERTS, RUTHERFORD COLLEGE, UNIVERSITY OF KENT AT CANTERBURY. Jonathan Swift’s classic satirical narrative was first published in 1726, seven years after Defoe’s Robinson Crusoe (one of its few rivals in fame and breadth of appeal). As a parody travel-memoir it reports on extraordinary lands and societies, whose names have entered the English language: notably the minute inhabitants of Lilliput, the giants of Brobdingnag, and the Yahoos in Houyhnhnmland, where talking horses are the dominant species. It spares no vested interest from its irreverent wit, and its attack on political and financial corruption, as well as abuses in science, continue to resonate in our own times.
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    The Jungle Book introduces Mowgli, the human foundling adopted by a family of wolves. It tells of the enmity between him and the tiger Shere Khan, who killed Mowgli’s parents, and of the friendship between the man-cub and Bagheera, the black panther, and Baloo, the sleepy brown bear, who instructs Mowgli in the Laws of the Jungle. The Second Jungle Book contains some of the most thrilling of the Mowgli stories. It includes Red Dog, in which Mowgli forms an unlikely alliance with the python Kaa, How Fear Came and Letting in the Jungle as well as The Spring Running, which brings Mowgli to manhood and the realisation that he must leave Bagheera, Baloo and his other friends for the world of man.
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    Lively and mischievous, idle and brave, Tom Brown is both the typical boy of his time and the perennial hero celebrated by authors as diverse as Henry Fielding (in Tom Jones) and Alec Waugh (in The Loom of Youth). The book describes Tom's time at Rugby School from his first football match, through his troubled adolescence when he is savagely bullied by the unspeakable Flashman, to his departure for a wider world as a confident young man. This classic tale of a boy's schooldays under the benevolent eye of the renowned Dr Arnold still retains the appeal for which it was acclaimed on its first publication in 1857. In its less well-known sequel, Tom Brown at Oxford, we follow our hero to St Ambrose's College, and, in sharing his undergraduate experiences, gain a vivid impression of university life in the mid nineteenth century.
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    This volume brings together Virginia Woolf’s last two novels, The Years (1937) which traces the lives of members of a dispersed middle-class family between 1880 and 1937, and Between the Acts (1941), an account of a village pageant in the summer preceding the Second World War which successfully interweaves comedy, satire and disturbing observation. Rewriting the traditional family saga and the pageant, these unsettling novels provide extraordinary critiques of Englishness and English identity while pursuing compelling existentialist and psychological themes such as the nature of time, memory, personal relationships and sexual desire. Their tightly constructed narratives enable the reader to experience the fragmented lives of their characters and the difficulties that they have in communicating with each other and even understanding themselves. Read together, these novels illuminate each other in ways that will engage both the student and the general reader.
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    Traditional rhymes and stories have been collected under the wing of Mother Goose for centuries and this collection of favourite nursery rhymes has been put together by the famous illustrator Arthur Rackham. It is a wonderful collection of old favourites from Jack and Jill, Baa, Baa, Black Sheep and Who Killed Cock Robin? to comic alphabets and the fearful fate of Anthony Rowley. It is illustrated with Rackham’s beautiful pen and ink drawings, and is one of his finest books.
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    With an Introduction by Cedric Watts, Research Professor of English, University of Sussex. This anthology of tales by Rudyard Kipling contains some of the most memorable and popular examples of the genre of which he is an undisputed master. The Man Who would be King (later adapted as a spectacular film) is a vivid narrative of exotic adventure and disaster. The other tales include the ironic, horrific, poignant and haunting. Here Kipling displays his descriptive panache and realistic boldness. Shrewd, audacious, abrasive and challenging, he remains absorbingly readable.
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    In The Wonderful Wizard of Oz, a huge cyclone transports the orphan Dorothy and her little dog Toto from Kansas to the Land of Oz, and she fears that she will never see Aunt Em and Uncle Henry ever again. But she meets the Munchkins, and they tell her to follow the Yellow Brick Road to the Emerald City where the Wonderful Wizard of Oz will grant any wish. On the way, she meets the brainless Scarecrow, the Tin Woodman and the Cowardly Lion. The four friends set off to seek their heart’s desires, and in a series of action-packed adventures they encounter a deadly poppy field, fierce animals, flying monkeys, a wicked witch, a good witch, and the Mighty Oz himself. In Glinda of Oz, the last of the original ‘Oz’ books, Dorothy and Princess Ozma seek the help of Glinda, the Good Witch of the South, when they find themselves in peril on the Magic Isle of the Skeezers
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    Translated by Thomas Common. With an Introduction by Nicholas Davey. This astonishing series of aphorisms, put into the mouth of the Persian sage Zarathustra, or Zoroaster, contains the kernel of Nietzsche’s thought. ‘God is dead’, he tells us. Christianity is decadent, leading mankind into a slave morality concerned not with this life, but with the next. Nietzsche emphasises the Übermensch, or Superman, whose will to power makes him the creator of a new heroic mentality. The intensely felt ideas are expressed in prose-poetry of indefinable beauty. Though misused by the German National Socialist party as a spurious justification of their creed, the book also had a profound influence on early twentieth-century writers such as Shaw, Mann, Gide, Lawrence and Sartre.