Книга Peter Lindbergh. Azzedine Alaia (9783836586559) Taschen (364656258)

Peter Lindbergh and Azzedine Alaia, the photographer and the couturier, were united by their love of black, a love that they would cultivate alike in silver print and solid color garments. Lindbergh ceaselessly turned to black and white to signify his search for authenticity in the faces he brought to light. Alaia drew on the monochrome of timeless clothes to create veritable sculptures for the body.In this book, the unique dialogue between the two artists is immortalized in print. Illustrating their community of spirit, its images are a celebration of their artistic partnership and testament to their history-making achievements in photography and fashion.Despite their geographically opposed origins, Lindbergh and Alaia pursued similar horizons. At the same time as Lindbergh’s reputation in Germany was growing thanks to his work in Stern magazine, and he set up his studio in Paris in 1978, Alaia was the couturier shrouded in discretion whose sophisticated techniques were a treasured secret amongst the most important clients of Haute Couture.Alaia became the architect of bodies, revealing and unveiling them, while Lindbergh distinguished them by shining a light on their soul and personality. Step by step, they became the creators that dominated their respective disciplines. Both rejected any artifice that distracted from their true subject, and it is with great ease that they came together for a number of powerful collaborations.Shared inspirations and aesthetic values are visible throughout their work. A beach in Le Touquet and the streets of old Paris reference a mutual love of black and white cinema and vast panoramas. The backdrop of an engine room illustrates the memory of an industrial German landscape for one and references the inordinate passion for functional design and architecture held by the other. Alaia’s clothes act as pedestals for the smiles and eyes of the women who wear them: Nadja Auermann, Mariacarla Boscono, Naomi Campbell, Anna Cleveland, Dilone, Lucy Dixon, Vanessa Duve, Helene Fischer, Pia Frithiof, Jade Jagger, Maria Johnson, Milla Jovovich, Lynne Koester, Ariane Koizumi, Yasmin Le Bon, Madonna, Kristen McMenamy, Tatjana Patitz, Linda Spierings, Tina Turner, Marie-Sophie Wilson, Lindsey Wixson. For Lindbergh, who built his notoriety on the images of these supermodels, the authenticity of their traits is all that matters. The result is a potent black and white catalogue that reverberates with truthfulness and beauty.The book accompanies the exhibition Azzedine Alaia, Peter Lindbergh at the Fondation Azzedine Alaia, 18 rue de la verrerie, Paris, France.With contritutions by Fabrice Hergott, director of the Musee d’Art Moderne de la Ville de Paris, Paolo Roversi, photographer, and Olivier Saillard, fashion historian and director of the Fondation Azzedine Alaia, Paris.About the AuthorPeter Lindbergh (1944–2019) was a master of his craft who made his mark in the halls of photography history, with such credits as shooting the first American Vogue cover under Editor-in-Chief Anna Wintour, bringing together for the first time a group of young women who would become the ’90s supermodels, and numerous exhibitions at renowned institutions including Victoria & Albert Museum in London and Centre Pompidou in Paris, as well as in solo exhibitions at Hamburger Bahnhof, the Berlin Museum for Contemporary Art, Bunkamura Museum of Art in Tokyo, the Pushkin Museum of Fine Arts in Moscow, and Kunstpalast in Dusseldorf. Фотограф Питер Линдберг и кутюрье Аззедин Алайя были объединены любовью к черному цвету, которую они одинаково культивировали в серебряных отпечатках и однотонных нарядах. Линдберг постоянно обращался к черно-белому цвету, чтобы подчеркнуть свое стремление к аутентичности в лицах, которые он выводил на свет. Алайя использовал монохромность вневременной одежды, чтобы создавать настоящие скульптуры для тела.В этой книге уникальный диалог между двумя художниками увековечен в печати. Иллюстрируя их духовное родство, изображения являются празднованием их художественного партнерства и свидетельством их исторических достижений в фотографии и моде.Несмотря на географическую удаленность их родины, Линдберг и Алайя стремились к одним и тем же горизонтам. В то время как репутация Линдберга в Германии росла благодаря его работе в журнале Stern, и он открыл свою студию в Париже в 1978 году, Алайя был кутюрье, окутанным тайной, чьи сложные техники были сокровенным секретом среди самых важных клиентов Haute Couture.Алайя стал архитектором тел, раскрывая и обнажая их, а Линдберг выделял их, освещая их душу и личность. Шаг за шагом они стали творцами, доминирующими в своих дисциплинах. Оба отвергали любые уловки, отвлекающие от их истинного предмета, и с большой легкостью объединились для ряда мощных совместных проектов.Общие вдохновения и эстетические ценности прослеживаются во всех их работах. Пляж в Ле-Туке и улицы старого Парижа отражают общую любовь к черно-белому кино и обширным панорамам. Фон машин